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Not long ago I put up a post called Fashion Street, in which I applauded the attempt to create an building which featured elements from both typical Islamic and British vernaculars. Above is a partial elevation of my current proposal for the Shahjalal Mosque in Shandy Park. It attempts to create a hybrid of the two vernaculars taking from Public House, Industrial, Traditional Islamic and British Domestic styles. You can see the change in hierarchy in fenestration much like a London Terrace, the Brick Pattern inspired by Alvar Aalto’s Baker House and the Etched Glass, which covets the play on public/privacy with ornate patterns of a Pub’s window. All in an attempt to create a building that would feel at home in Britain or an Islamic nation.

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The geometric patterns from Etching Pattern has been applied to glass to create a sample at 1:1. Here it has been photographed next to brickwork to show the contrast between the two proposed materials and how they sit in harmony.

Here on a square grid-basis, a spinning four-fold pattern has been developed with stabilizing star octagons.  Another example of Islamic Patterns, it adheres to a geometric rule of repetition and has been progressed further to create two zones; translucent and opaque.

The use of etched glass in public house fenestration is the perfect marriage of function and decoration. Used as a screen for privacy whilst also allowing light into a space, they are highly detailed ornamentation pieces. Much like wallpaper, the use of decorative patterns adds a sense of domesticity to a space, blurring the line between what is private and what is public.

Continuing with the theme of Public House and Wallpaper, a pint glass etched with wallpaper print.